论文部分内容阅读
从2008年第一届青戏节算起,我作为青戏节的观众有十年了。那时候戏剧节这个概念对北京戏剧观众来说还相当模糊,青戏节、大学生戏剧节,听上去以为是大学生毕业作品汇演。2008年看了邵泽辉导演的《在变老之前远去》,和黄盈导演的《西游记》之后,校园戏剧的感觉非常深,同时,我感到一种青春气息从舞台上飘来。剧场终于给了不成熟的青年作品一个机会,他们在磨炼自己的同时,观众所看到的戏剧,也许会从青戏节开始多样化起来。青春,不就是意味着破格的尝试吗?哪怕作品不成型,但只
Starting from the first Youth Theater Festival in 2008, I have been a spectator of the Qing Opera Festival for ten years. At that time, the concept of theater festival was quite vague to the Beijing theater audience. The Qing Opera Festival and the Drama Festival for University Students sounded like a graduation project for college graduates. After seeing Shao Fanghua’s “Away Before Getting Away” in 2008 and “Journey to the West” directed by Huang Ying, the campus drama feels very deep. At the same time, I feel a youthful spirit drifting from the stage. The theater has finally given the immature youth an opportunity to work out, while they are tempering themselves, the drama the audiences see may be diversified from the beginning of the Youth Festival. Youth, does not mean that the attempt to break it? Even if the work is not shaped, but only