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陕西的摄影,在整个中国,曾经有过很显目的表现,但那还是在中国摄影的题材革命时期。在那个时代,政治上处于一种绝对的革命的专制状态,在文化上和摄影上,都曾设立了许多不可涉及的区域和题材。比如凡是触及到“伤痛”、“苦难”、“丑恶”、“困惑”、“迷惘”等表现题材和形态,即刻会引起愤愤不已。而对于人性的富有个性的表现,更有人会喋喋不休地说些言不由衷的淡话、废话。
Photography in Shaanxi has shown remarkable performance throughout China, but it was still during the theme revolution of photography in China. In that era, the political state was in an absolutely revolutionary state of autarchy. Both cultural and photographic purposes had set up many areas and topics that could not be touched. For example, whenever it touches on such themes as “pain”, “suffering”, “ugly”, “puzzled”, “puzzled” and other forms of performance, immediate indignation will be caused. As for the rich personality of human nature, some people will chatter endless words, nonsense.