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随着时间的推移,陶渊明创造的“桃花源”意象逐渐内化为人的一种集体无意识,形成了一个“桃花源”原型,对后世作家的创作产生了深远的影响。面对社会转型期的媚俗投降,张炜在坚持抵抗的同时也在营造着自己的桃源世界。他笔下的“葡萄园”成了他精神家园的具体喻象。在现实面前“葡萄园”无法摆脱失败的命运,它只是作者营造的一个审美的乌托邦而已,但这并不意味着我们要否定它的价值。
With the passage of time, Tao Yuanming’s image of “Peach Blossom Spring” gradually internalized into a kind of collective unconsciousness and formed a prototype of “Peach Blossom Spring”, which had a profound impact on the later writers’ creation. In the face of social surrender kitsch surrender, Zhang Wei insisted resistance at the same time also create their own Taoyuan world. His “Vineyard” has become the concrete image of his spiritual homeland. In reality, Vineyard can not get rid of the fate of failure. It is only an aesthetic utopia created by the author. But this does not mean that we should negate its value.