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《赛德克·巴莱》是一部讲述台湾土著居民族赛德克人反抗日本殖民和压迫的电影。除了政治历史意义,该影片是一部血气方刚的真正的男人的戏,是一首向死而生的充满死亡美学意义的唯美史诗,是一部引申出现代文明与野蛮骄傲矛盾触须的人性影片。透过赛德克人的野蛮,观众会深深体会到现代社会久违了的一种本真的骄傲和文明。本文对影片的评析分为三个部分:一是民族大义上的向死而生;二是宗教信仰意义上的向死而生;三是影片对现代文明的启示。
“Sidike Balai” is a movie about the Taiwanese indigenous people in Taiwan fighting against Japanese colonialism and oppression. In addition to its political and historical significance, the film is a real masculine drama, a beautiful epic full of death aesthetics, a man-made film that expresses the contradiction between modern civilization and brutal pride. . Through the savagery of the Sidek people, the audience will fully appreciate the genuine pride and civilization that modern society has long had. This article analyzes the film is divided into three parts: First, the death of the nation on behalf of the righteousness; the second is the religious belief in the death to life; third is the film’s inspiration for modern civilization.