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我国汉字的造字法则与书法审美理念深深植根于以《易经》为核心的古典哲学理论之中。尤其在众多象形文字的后面,蕴藏着许多值得我们深入探究的哲学道理与科学规律。《易经》中的“近取诸身,远取诸物”被人们认作是文字象形、书法之理得之于现实生活的根据。例如“水”字,今人写来,既有篆隶草真行五种字体之区别,又有每种字体中凶书写者的喜好、素质、功力之差异,而造就出的万千个不同面
The Chinese characters’ method of making words and the aesthetic ideas of calligraphy are deeply rooted in the classical philosophical theories with the Book of Changes as the core. Especially behind many hieroglyphs, there are many philosophical and scientific laws that deserve our in-depth exploration. “Book of Changes” in the “near get the body, far from all things” is considered as a pictographic, calligraphic rationale for real life based on. For example, the word “water” is written by people today, including the difference between the five kinds of fonts and the differences in preferences, qualities and skills of fierce writers in each type of fiction, and the thousands of different faces