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一九三一年“九一八”事变、一九三二年“一二八”事变以后,日益高涨的抗日救亡运动,给文艺界,特别是左翼文艺运动中心——上海文艺界以巨大影响。 左翼作家、进步作家首先积极投身到反日爱国的活动中去。“九一八”事变后三天,九月二十一日,鲁迅在《答文艺新闻社问》中愤怒揭露日本帝国主义侵华反苏的险恶用心。九月二十八日出版的《文学导报》第五期,刊登左联《告国际无产阶级及劳动民众的文化组织书》,强烈抗议日寇的野蛮侵略;同期还发表了史铁儿(瞿秋白)的论文《大众文艺和反对帝国主义的
After the “September 18 Incident of 1931” and the “January 28 Incident of 1932”, the ever-rising anti-Japanese national salvation movement exerted a great influence on the literary and art circles, especially the center of left-wing literary and art movements, the Shanghai literary and art circles . Left-wing writers and progressive writers, first of all, are actively engaged in anti-Japanese patriotic activities. Three days after the “September 18” Incident, September 21, Lu Xun angrily denounced the sinister intentions of the Japanese imperialists who invaded China and revived the Soviet Union. The fifth issue of “The Herald of Literature” published on September 28 published the book titled “The Culture Organization of the International Proletariat and the Working People” of the League of Leftist Writers and strongly protested the savage aggression of the Japanese invaders. In the same period, Shi Tiel (Qu Qiubai ) Of the thesis “popular literature and anti-imperialism.”