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张湘溪:《韩熙载夜宴曲终人散图》这个作品,制作时间很长。第一卷画是将人物抽离;后来看了相关资料,又循着原作,做了一组中国透视方式的木制家具;最后一卷画是把人物单独抽离出来,改为韩熙载送客的场景。三个阶段完成后,我感到困惑了——《韩熙载夜宴曲终人散图》作品的关键,是它给人带来的心理矛盾。现在人们开始寻找过去的影子,试图还原古代的某些事物。他们看到你这个作品时,肯定会把自己对原作的记忆与现场的感受联系起来,进行比对。而感受与记忆有相当的距离,自然而然会产生视觉心理的矛盾性。
Zhang Xiangxi: “Han Xizhai Banquet Night San painting” this work, making a long time. The first scroll is to draw people away; later read the relevant information, and follow the original, made a set of Chinese perspective of wooden furniture; the last scroll is to separate the characters alone, replaced by South Korea carrying passengers Scene. After the three stages were completed, I was puzzled - the key to the work of Han Xizai’s Banquet of Night Banquet was its psychological contradiction. Now people are beginning to look for the shadow of the past, trying to restore some of the ancient things. When they see your work, they will surely associate their memories of the original work with the feelings of the scene and compare them. The feelings and memories of a considerable distance, of course, will have a visual psychological contradictions.