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要说清楚后现代主义艺术,先要说清楚现代主义艺术,即野兽主义、表现主义、立体主义、未来主义、超现实主义、抽象主义、达达主义。我现在只能说,上述“主义”中,只有野兽主义、立体主义、抽象主义专门在形式之美中不断探索。有的评论家说“塞尚是现代主义之父”,其实只有这三个主义最够得上“为子”的资格;其他的“主义”,都与文学、哲学有些瓜葛,所以不大配做“塞尚之子”。前者确是沿着塞尚的道路发展,我称之为“正统的现代主义”;后者则非,我称之为“非正统的现代主义”。 各种现代主义中,要数达达主义最为奇特:它当然也远离传统的写实主义,但也不追求形式之美,甚至是“反审美”的,它越出了艺术的轨迹,主张“非艺术”和“反艺术”。达达主义最初于1916年出现在瑞士的苏黎世,为首的人是比卡皮亚,稍后,马塞尔·杜尚也在美国和法国活动,出奇制胜地玩弄一些越轨的“把戏”。最著名的是他把一个厕所中的小便器当作艺术品展览,又在芬奇的名作《蒙娜丽莎》中那个妇人像上添画胡子;他又用机器另件制造机器模样的作品,如《新娘被光棍们剥光了衣服》。现在,杜尚的名声反而大大超过了比卡皮亚,并成为后现代主义之“父”。把机器零件以及垃圾堆里
To make clear the art of postmodernism, we must first make it clear that the art of modernism, namely, beastism, expressionism, cubism, futurism, surrealism, abstractism, and Dadaism. I can only say now that among the above “theses,” only the beastism, cubism and abstractism are constantly exploring in the beauty of form. Some commentators said that “Cezanne is the father of modernism”. In fact, only these three majorities are most qualified as “as children.” The other “doctrines” are somewhat related to literature and philosophy, Be a “son of Cezanne.” The former did develop along the route of Cezanne. I called it “orthodox modernism.” The latter was not. I called it “unorthodox modernism.” Of all kinds of modernism, the most exotic is the number of dynasties. Of course, it is far from traditional realism, but it does not pursue the beauty of form or even of “anti-aestheticism.” It goes beyond the track of art and advocates “non-art ”And“ anti-art. ” Dadaism first appeared in Zurich in Switzerland in 1916, with the leader being Bikapia. Later, Marcel Duchamp also played some transgressory “tricks” in the United States and France. Most notably, he saw a urinal in a toilet as a work of art, painting a beard on the statue of the woman Mona Lisa in Vinci’s work; , Such as “the bride was stripped naked clothes.” Now, however, Duchamp’s reputation far exceeds that of Bikapia and becomes the “father” of postmodernism. Machine parts and trash