论文部分内容阅读
秦腔《母子情》是我团根据淮剧本《母与子》移植改编的一出现代剧,主要描写后娘桂珍用赤诚的母爱之情,帮助教育前房儿子失足青年小林成长的故事。我在戏中扮演桂珍。这个戏在西安公演以后,受到广大观众的欢迎。同志们让我谈谈塑造桂珍这一艺术形象的经验,自己深感力不从心,只能粗浅地谈点体会。一个演员若果对他所扮演的角色,不十分理解,或者压根儿不熟爱,缺乏真情实感,很难设想他会塑造好这个人物形象。开初排演《母子情》时,我并不喜欢桂珍这个人物,觉得不真实,心想:哪有这么好的后娘?任务虽然接受了,可是缺乏足
The “mother-child love” of Shaanxi opera is a modern drama transplanted by our mother and son according to the Huai opera “mother and child”. It mainly describes the story that the late Gui-niang used sincere maternal love to help educate the front son’s failure to grow young Kobayashi. I played Gui Zhen in the play. After the show in Xi’an, the show was well received by the audience. Comrades have let me talk about the experience of shaping the artistic image of Guizhen, and I can only feel superficial and superficial about my experience. It is hard to imagine that if an actor is not very understanding or unfamiliar with the role he plays, it is hard to imagine that he will shape the character. At the beginning of the rehearsal “mother and child”, I do not like Guizhen this character, I feel untrue, I thought: how can such a good bride? Although accepted the task, but the lack of adequate