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1999年1月15日,耶日·格洛托夫斯基的所有活动都成了历史。他去世后的第二天,一些记者打电话给我,问我“格洛托夫斯基是否对美国戏剧重要”?“美国戏剧的年轻一代知道格洛托夫斯基的工作吗”?“他给我们带来的‘冲击’、‘影响’、‘遗产’是哪些?”……总之好象他是某个远房的但也许非常富有的大叔,死了以后,留下一份秘密的遗产。我想格洛托夫斯基是值得这些本意良好但容易误导的提问的。二十多年以来他一直几乎是秘密地工作着。他偶尔露面,很少发表声明和接受采访。但他的采访录及演讲录经常被发表。他是众所周
On January 15, 1999, all activities of Jerzy Grottovsky became history. The day after his death, some reporters called me and asked me whether “Grotowski is important for American theater.” “Did the younger generation of American theater know about Grotowski’s work?” What’s the ’impact’, the ’impact’ and the ’legacy’ he brings to us? ... Anyway, it seems like he is a distant, but perhaps very wealthy, uncle, leaving behind a secret legacy . I think Grotowski is worth these well-intentioned but misleading questions. He has been working almost secretly for more than two decades. Occasionally he shows up, seldom makes statements and interviews. However, his interviews and lectures are often published. He is all week