论文部分内容阅读
许多作家拒绝了故事,由此也拒绝了读者。在他们认为,讲故事只是巴尔扎克、罗曼·罗兰等人做的,故事再进入现代小说的领域,似乎已显得陈旧而不够先锋。于是,小说越来越走向一条纯粹个人化的道路。读者在这些小说面前遭遇到了无法进入作家之想象世界的困难,他们有什么理由相信那些玄奥的形式法则与梦呓般的臆语呢?在这个层面上,一味地指责读者是不合情理的,虽然读者的阅读定式也应随着时代而更新,但在他们的经验里还存在着一个基本规范,他们有理由就着这些规范对作家的写作提出期待。事实上,几乎一切伟大的作家都讲故事,至少他们能讲故事,因为他们有能力在故事里出示一种精神,以这种精神来概括这个时代的本
Many writers rejected the story, which also rejected the reader. In their opinion, storytelling is only done by Balzac and Roman Roland, and the story re-enters the field of modern novels as if they are old-fashioned and not pioneers. As a result, novels are increasingly moving toward a purely personal path. In the face of these novels, readers encounter the difficulty of entering the imaginary world of writers. What reasons do they have to believe in the mysterious forms and dreams? At this level, it is unreasonable to accuse the readers blindly. Although readers The reading style should also be updated with the times, but in their experience there is still a basic norm on which there are reasons for them to look forward to the writer’s writing. In fact, almost all great writers tell stories, at least they can tell stories because they have the ability to present a spirit in the story, in this spirit