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京剧音乐是京剧区别于其它戏曲剧种的重要标志,它主要由唱腔、器乐伴奏和韵白三部分组成,其中唱腔又是塑造人物音乐形象的主要手段。二百多年的京剧发展史,也是京剧音乐纵向继承与横向借鉴相结合的发展历史。作为唱、念、做、打之首的唱腔音乐,是历经了“徽秦合流”、“徽汉合流”和吸收“昆腔艺术”逐渐发展演变而来。它博采众长、吸收其他地方戏曲的优长和特点,勇于吸收创新,不断自我完善,才在京剧发展史占有举足轻重的地位。京剧发展至今仍有其旺盛的生命力,就在于它一方面保持
Peking Opera music is an important symbol of Peking opera distinguished from other operas. It mainly consists of singing, instrumental accompaniment and rhyme. Among them, singing is the main means of shaping the musical image of characters. The history of the Beijing Opera of more than two hundred years is also the history of the combination of vertical inheritance and horizontal reference of Beijing opera music. As a singing, reading, doing, playing the first song of music, is after the “emblem Qin confluence ”, “emblem of convergence” and absorption “Kun cavity art ” evolved gradually. It draws people, absorbs the superiority and characteristics of the other local operas, dares to absorb innovation, and constantly self-improvement, before occupying a pivotal position in the history of Beijing Opera. The development of Peking Opera still has its vitality, because it keeps on the one hand