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悬念,对于惊险片是不可缺少的。有了悬念,就会给观众以惊险感与紧迫感,使他们时刻为影片人物担心,并急切等待着情节的发展,这样,观众的一种寻求刺激(当然不是过分的)的心理要求得到了满足,影片也就赢得了观众,因此说,悬念是惊险片的生命线是毫不夸张的。远的不说,就拿法国影片《总统轶事》来说,它虽然“纯系虚构”,但情节紧张引人。影片以一封关系共和国总统声誉的信为线索,一开始就向观众推出第一个悬念:这封信是谁的?随后,当总统先生得悉信被抢后,惊恐万状,大发雷霆,并不惜一切代价要追回它,使观众急于知道这封信的内容,这一愿望刚得到满足,导演又制造了第三个悬念,克莱尔母子的生命安全,因为总统正试图绑架他的亲生儿子,以免旧事败露。这一系列的悬念,自始至终都攫住着观众的心,使他们无暇去考虑影片的真实性。
Suspense, thriller is indispensable. With suspense, the audience is given a sense of urgency and sense of urgency, making them always concerned about the film characters and anxiously waiting for the development of the plot, so that the psychological demands of the audience to seek stimulation (of course not excessive) are obtained Satisfied, the film also won the audience, so that suspense is the lifeline of the thriller is no exaggeration. Far from mentioning, the French film “Anecdote of the President,” although it is “purely based on fiction,” the plot is tense. Citing a letter that relates to the reputation of the President of the Republic, the film begins with a first suspense to the audience: Whose letter was then? When the President learned that the letter had been snatched, he was terrified and furious and did not hesitate The price to recover it, so that the audience eager to know the content of the letter, this desire has just been met, the director created a third suspense, Claire mother and child safety, because the president is trying to kidnap his own son to prevent the old Dew exposed. This series of suspense, grabbed the hearts of the audience from beginning to end, so that they have no time to consider the authenticity of the film.