论文部分内容阅读
作为西安OCAT的夏季展览之一,“电子遗留物”这个展览名称多多少少会让人揣测艺术家徐文恺(aaajiao)在这个以墓穴和碑林为象征符号的城市,与他的新作之间试图建立的某种互指性联结。而事实上,无论是依据前朝石刻拓片和人工神经网络算法创作的“没有含义的字体”(《字体》,2016),还是林立在主要展览空间中为Windows视窗系统构建的墓碑(《视窗碑林》,2016),这些带有显性“遗留物”基因的作品只是在叙事元
As one of the OCAT summer shows in Xi’an, the name “e-heritage” is more or less likely to give the appearance of the artist aaajiao attempting between this new city and the city that symbolizes the tomb and tablet forest Some kind of interrelatedness established. In fact, the “No Fonts” (“Fonts”, 2016) created by the former Stone Inscriptions and Artificial Neural Networks algorithms is still a tombstone for the Windows Windows system in major exhibition spaces (“ Windows Beilin ”, 2016), these works with dominant“ remnant ”genes are only written in the narrative element