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随着社会的变革,漆器成为战国至汉代主要的生活用器。本文就是通过整理战国至两汉时期漆器纹饰特点来研究当时的美学思想,以及它是怎么体现在漆器纹饰中的。从漆器纹饰表现上来看,受到不同的时代与不同的地区的思想影响显示出不同的特点。战国时期,北方各国受到儒家的理性精神影响多呈现现实主义作风,南方楚国则具有动荡,激越的道家浪漫主义作风。在秦汉时期又表现出理性主义与浪漫主义的高度结合。
With the social changes, lacquer ware became the main source of life in the Warring States Period to the Han Dynasty. This article is to study the aesthetics of the time by sorting out the characteristics of lacquer ware from the Warring States Period to the Western Han Dynasty and how it is reflected in lacquer decoration. From the performance of lacquer ornamentation point of view, by different times and different regions of the ideological influence show different characteristics. During the Warring States period, northern countries were mostly influenced by the Confucian rational spirit and showed realist style. The southern Chu State had a turbulent and stirring Taoist romanticism. In the Qin and Han dynasties also showed a high degree of rationalism and romanticism.