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在全国美展的评选中,并不分大写小写工笔,而工笔画普遍偏多,大写意和小写意相对较少,且写意画多数在基层选作品时就会被淘汰。主要还是因为写意画难于表现,而工笔较为好上手,容易出效果,画面较为完整,入展几率就高。按理对写意更重视,但效果达不到,已有成就的人不参与,年轻人相对参与较多一些,但积累不多。工笔好控制,好修改,获奖的小写没骨作品,题材丰富,构思新颖,但不属大
In the selection of the National Art Exhibition, not only the uppercase and lowercase writing, and general strokes are generally large, uppercase and lowercase meaning is relatively small, and the majority of freehand painting selected at the grassroots level will be eliminated. Mainly because of the unattainable expression of freehand brushwork, while the fine brushwork is good, easy to effect, the picture is more complete, the chance of entering the exhibition is high. Rationally pay more attention to freehand brushwork, but the effect is not reached, there are achievements of people do not participate in the relative participation of young people more, but not much accumulation. Good control of the pen, a good revision, award-winning lowercase and non-bone works, rich in subject matter, innovative ideas, but not large