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复映片作为一个特殊的“片种”,在“文革”后的恢复时期,为当年的观众所广泛欢迎。新中国成立到“文革”前的十七年共生产电影633部,期间绝大多数影片被封存或停止放映,到“文革”时新一代观众所熟识的只有八个样板戏。新中国电影的繁荣,在开放后的新时期再度辉煌。大量复映片的重现,有几度风雨的沧桑,也有几度春秋的回忆。银幕的记忆和社会的反思在一个时期有着承前启后的过渡,1977年元旦,首批六部解禁的老电影与观众见面;1979年元旦,一部生产于十五年前的影片《阿诗玛》第一次与全国观众见面。复映片的审查工作结束。思想解放运动的背景和前瞻,新中国电影和复映片留下了她历史的画面。
Repertory film as a special “film” in the “Cultural Revolution” recovery period, for the year the audience is widely welcomed. During the 17 years before the founding of the People's Republic of China until the “Cultural Revolution”, a total of 633 films were produced. Most of the films were sealed or stopped showing. Only a dozen model operas were familiar to the new generation of audience during the “Cultural Revolution.” The prosperity of the new Chinese film is once again brilliant in the new period after the opening up. Reproduction of a large number of films, there are several vicissitudes of life, there are several memories of the Spring and Autumn. On the New Year's Day of 1977, the first batch of six old movies with ban released met with the audience. In 1979, on the New Year's Day, a film produced by Imam, fifteen years ago, Meet the national audience once. Rehearsal film review concluded. The background and forward-looking of the ideological liberation movement, the new Chinese film and rehearsal film left her historical picture.