田纳西 威廉斯戏剧作品中的自然世界

• 作 者: 汤红
• 机 构: 安徽工业大学外国语学院,
• 出 处: 河北理工大学学报(社会科学版)
• 发表日期: 2011年06期
• 关键词: 戏剧 自隐形田园自然 被摧残的自然 显形原始自然 Play invisible nature destroyed nature visible primeval

美国杰出戏剧家田纳西.威廉斯的作品虽多以现代工业城市为背景,但也不乏自然世界的参与。在创作力最为旺盛的405,0,和60年代,威廉斯以高超的创作技巧为观众展示了三种自然世界。前两种自然在威廉斯的笔下都是被动和客体的角色。在第三种自然世界里,威廉斯真正走入了原生态自然,从交互主体的角度整体性地来欣赏原生态自然,从而揭示了自然独立存在的美。

Although the works of Tenaxy Williams, an outstanding American theater playwright, are based on the background of modern industrial cities, there are also many natural world participants. In the most creative of the 405,0,0 and 60 years, Williams with superb creative skills for the audience demonstrated three kinds of natural world. The first two are naturally passive and object roles in Williams’s pen. In the third kind of natural world, Williams really went into the nature of the original ecology, and from the angle of the interactive subject, he enjoyed the nature of the original ecology in a holistic way, revealing the beauty of natural existence.