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二胡演奏中的意境塑造是每一位从事二胡舞台表演的演奏者都需要面对的一项非常重要的难题,也是判断二胡演奏艺术素养的重要标准,舞台演奏的成功与否,关键来源于对作品意境的表达是否成功。论述本文的目的在于,自己在大学期间包括在学习琴艺的过程中,或多或少有些许自己对专业上的一些观点和看法,而一直偏向于对二胡演奏意境与素养方面的关联及其融合的必要性。我觉得一部作品中的意境就是整个作品的灵魂所在。没有灵魂何谈存在。本文中运用到了一些美学的思想来论述二胡意境演奏与演奏素养融合的必要性。
The artistic conception of erhu playing is a very important problem that every performer in the erhu stage needs to face. It is also an important criterion for judging the artistic accomplishment of the erhu. The key to success is whether The artistic expression of the work is successful. The purpose of this article is to discuss some or some of his own views and opinions on the profession during the period of university study, including the relationship between artistic conception and accomplishment of Erhu Necessity of integration. I think the mood of a work is the soul of the whole work. There is no soul what to talk about. In this article, some aesthetic thoughts are used to discuss the necessity of integrating erhu performance with performance.