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五十年代初,笔者去北京公干,一次偶然的机会,去创办不久的由梅兰芳先生主持的中国戏曲研究院旁听一堂课,那天,主讲的是菊坛前辈的时慧宝老先生,课题是中国戏曲之源流。这堂课讲得精彩,给我留下了深刻的印象。由此才知道,自元曲衰微之后,京剧形成之先,于明、清之际有“东柳”、“西秦”、“南昆”“北岔”四土剧种领袖梨园。西北
In the early 1950s, the author went to Beijing to work hard, by chance, to set up a short lesson by the Chinese Academy of Drama under the auspices of Mr. Mei Lanfang to attend a class, that day, the speaker is the predecessor of Chrysanthemum altar Mr. Shi Huibao, subject Is the source of Chinese opera. The lesson was wonderful and left a deep impression on me. From this we can see that since the decline of the poem, Peking opera became the first of its kind. In the Ming and Qing dynasties there were the pear orchards of the four major operas of “Dongliu”, “Xiqin” and “Nankan” and “Beicha”. northwest