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数月前乔迁新居,整理什物时,意外地发现了两件名家墨迹:一是黄胄的旧作,不妨以《藏族少女》称之:一是常书鸿的素描,系用钢笔为家父画的肖像。黄胄的画(无题,铅笔淡彩,画面着薄腊),以潇洒的笔触,勾勒了一位纯真无邪的藏族少女,传神动人,楚楚可爱,生活气息极浓。原作40cm×27cm,落款为“一九五四、五·四黄胄”。常书鸿的较小,画在一个旧笔记本上,却真实地在现了家父的形象、精神与气质,具有一种内在的造型美,可谓心灵的活的雕塑。笔记本封面上,烫印着“西北文学艺术工作者代表
A few months ago moved to a new home, sorting out things, accidentally discovered two famous ink: First, the old works of Huangpi, may wish to ”Tibetan girl“ said: First, often hung sketch, the Department of the pen with his father painted portrait. Huangpi’s paintings (Untitled, pencils pale, pictures with thin wax), with a chic brush strokes, outline a pure and innocent Tibetan girl, vivid and moving, lovely, lively atmosphere. The original 40cm × 27cm, inscribed as ”1954, five four yellow 胄 “. Chang Shuhong smaller, painted in an old notebook, but truly present the image of the father, spirit and temperament, with a kind of inner beauty, can be described as living spiritual sculpture. Notebook cover, hot stamping ”Northwest literary and art workers on behalf