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京剧现代戏的创作和演出是在党的领导下广大戏曲艺术工作者团结奋斗、辛勤劳动的丰硕成果。这本来是清清楚楚的历史事实。然而在“四人帮”一统天下、人妖颠倒、腥风血雨的年代,江青出于她不可告人的政治野心,贪天功为己有,硬把广大戏曲艺术工作者辛勤劳动的成果写在自己的帐上。为了掩人耳目,封锁真理的声音,又心毒手狠地打击、迫害了一大批艺术家。然而真理的声音不可能被永远封锁。随着“四人帮”的垮台,这一历史沉冤已昭明天下。但由于一些同志不十分了解事情的内幕真相,因此在一些具体问题上,长期以来有所争论,这也是很正常的现象。黎舟同志的这篇《飘风骤雨不终日——关于京剧现代戏的很有价值的历史记录》对现代戏创作、演出的历史事实作了披露,它将有助于澄清一些历史是非。 今年6月适逢全国京剧现代戏观摩演出大会30周年,我们愿意发表黎舟同志的文章以飨读者。
The creation and performance of modern opera in Peking Opera is the fruitful result of the concerted efforts and hard work of the majority of opera and opera artists under the leadership of the party. This was a plain historical fact. However, under the rule of the “gang of four” and the rebellion of the “gang of four” and the bloody years, Jiang Qing, out of her unspeakable political ambitions, pursued her own merits and made every effort to write down the fruits of the hard work of the broad opera arts workers in her own account. In order to deceive the public, blocking the voice of truth, but also violently crackdown, persecuted a large number of artists. However, the voice of truth can not be forever blocked. With the downfall of the “Gang of Four,” this history of injustice has shown the world. However, since some comrades do not fully understand the inside story of the incident, it has long been a subject of debate on a few specific issues. This is also a very normal phenomenon. Comrade Leizhou’s “Never ending trendy events - a valuable historical record about the modern drama of Beijing Opera” disclosed the historical facts about the creation and performance of modern drama. It will help to clarify some historical right and wrong. This June coincided with the 30th anniversary of the National Peking Opera Modern Show, we are ready to publish an article by Comrade Li Zhou to readers.