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百年倏忽,我时常在想,如果一代人在带走生命的同时也带走了他们的记忆,我们这个世界将会是什么样子?它还会那样苍凉而美丽吗?我们在精神文化的构筑上是否能比他们走得更远?灯下掩卷,我每每扼腕长叹,我们这一代的记忆里不能不说存留着太多的空白。当我们怀着强烈的物欲双手像点钞机一般数点金钱的时候,我们难道不是失落了对个体的灵魂价值和精神本位的终极关怀吗?我们不再缅怀旧时光,上一代知识人孜孜以求的文化人格的至美之境和那种热情、张扬的精神意旨,我们今天又有多个人能够真正领略呢? 我相信这种不平衡的社会心态是暂时的,有侍修正的,我也相信一切文化的终极目的终竟是人格(荣格语)。因此当我读到张中行先生的随笔集《负暄琐话》时,愈发感到这个集子在今日商情浓于人情的世态里独有的分量 文化人格的分量。 张中行先生是这样析“负暄”的,有闲的日子、晒晒太阳,想想旧事,他自谦这本书“只是早春晚秋,坐在向阳的篱下,同也坐在篱下的老朽们,或年不老而愿意听听旧事的人们,谈谈记忆中的一些影子。”这“影子”里凸现的,俱是可传之人,可感之事和可念之情。特别是其中的怀人记述,写3O年代以北大为中心的旧人旧事,上迄章太淡、马一浮,下至昆曲大师韩世昌,凡30余篇,皆笔墨省俭、而深情画出。文?
After a hundred years, I often think that if a generation took away their memories while taking life away, what would our world look like and how would it be so bleak and beautiful? In the construction of spiritual culture Can I go further than them? Under the lights, I often sigh and sigh, and there are too many gaps in the memories of our generation. Do we not lose the ultimate concern for the soul value and spiritual standard of the individual when we spend a lot of money with a strong materialistic hand like a bill counter? We no longer cherish the memory of the old days, as the previous generation of knowledge workers diligently sought Cultural personality of the United States and the kind of passion, publicity of the spirit of purpose, how many people today we can truly appreciate it? I believe this imbalance in social mentality is temporary, paternity correction, I believe everything Ultimately the ultimate goal of culture is personality (Jungian language). Therefore, when I read Mr. Zhang Zhongxing’s essay collection “Negatives and Sufferings,” I became more and more aware of the weight of this collection as a unique component of cultural personality in today’s business-rich world. Zhang Zhongxing is such a “negative Xuan”, free time, the sun, think of old things, he modest book “just early spring and late autumn, sitting in the sunny hedge, with the old People who are old or who are willing to listen to old things talk about some of the memory of memories. ”The“ shadow ”highlights all things that can be transmitted, perceived and understandable. In particular, the anecdotes in which the writers wrote about the old stories of the old people centered in the north of the 1930s, from the last chapter to the late, Ma Yifu went down to Kunqu Opera Master Han Shih-chang, where more than 30 articles were written in a frugal style and affectionately drawn. Text?