“笔法”的失落:杨守敬书法之我见

• 作 者: 刘兆彬
• 出 处: 三峡文化研究
• 发表日期: 2016年00期
• 关键词: 邓石如 学书迩言 广艺舟双楫 九成宫醴泉铭 梁山舟 提按 《水经注》 沈曾植 “八法” 北碑

杨守敬学识广博,是书法名家,很多人都会关注他的学术成就、向他学习,但是在这里,我打算谈论其书法的局限。“肯定成就”有意义,“找出不足”也同样有意义,前者是为了学习,后者是为了超越。本文谈杨守敬书法认识的局限之一,即笔法认识的问题。当然,这不是他一个人的问题,而是很多清代“碑派”书家的共同问题,我个人认为,即使是篆书成就极高的邓石如,楷、行、草书也不是很好,而其原因,也在于缺少对古代“笔法”的认识。

Yang Shou-jing has extensive knowledge and is a famous calligrapher. Many people pay attention to his academic achievements and learn from him. However, I intend to talk about the limitations of her calligraphy here. “Positive achievements ” makes sense, “Find out less ” also makes sense, the former is to learn, the latter is to go beyond. This article discusses one of the limitations of Yang Shou-jing calligraphy, that is, the problem of understanding of writing. Of course, this is not his own question, but a lot of the common problems of the Qing Dynasty “Beibei ” calligraphers. I personally think that even Deng Zhiru, Kai, Xing, The reason lies in the lack of understanding of the ancient “style ”.