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梅是中国古代诗词中常见的审美意象。它以其曲折多姿的形貌,瘁瘠耐寒的特性及超凡脱俗的品格受到古代文人墨客的喜爱与赞赏,赢得他们的纵情歌唱。古往今来,咏梅诗词难以数计,其中唐代诗僧齐己的《早梅》、宋代隐士林逋的《山园小梅》及清代和尚律然的《落梅》堪称绝唱。本文拟就这三首诗在构思、思想与神韵上所表现出来的成就略作赏评。
Mei is a common aesthetic image in ancient Chinese poetry. It won the indulgence of singing by its ancient literati with its twists and turns, its characteristic of barrenness and cold resistance and its refined and refined character. Throughout the ages, the poems of Yong-mei are difficult to count. Among them, “early plum” is the poem monk Qi in the Tang Dynasty, “the small plum garden” in the Lin Song of the Song dynasty and “the plum” in the Qing Dynasty. This article intends to make some comments on the achievements shown in these three poems on the concepts, thoughts and charm.