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女作家池莉是从八十年代末到九十年代一路红过来的。从《月儿好》到《烦恼人生》,从《不谈爱情》到《来来往往》,她的作品一直保持着一种独特的魅为。池莉是怎样从一个爱好文学的青年成为一位著名作家的?她的小说创作为什么一直能保持一种领先的位置?这也许是不少关心池莉的读者想要了解的. 为了满足读者们的愿望,我们在本期的“名家侧影”里推出有关池莉的一组文字。执笔者既有像杨书案这样了解她的来龙去脉的领导和同事,又有像张欣、苏童这样比较了解她的著名作家。我的一篇,也为读者提供了解池莉的一点线索。不知读者诸君是否能从这些文章中初步读懂池莉? 新时期以来,女作家辈出,文坛颇有阴盛阳衰之说,从本期起,本栏目拟陆续推出关于女作家的专栏,望读者予以注意。
The writer Chi Li came all the way from the late 1980s to the 1990s. From “Yue Er Hao” to “Annoyed Life”, from “Do not Talk about Love” to “Come and Visit”, her work has always maintained a unique charm. How did Chi Li become a famous writer from a literary youth? Why did her novel maintain a leading position? This may be a lot of concern Chi Li readers want to understand.In order to meet the reader’s wishes , We introduced a group of words about Chi Li in this issue of “Famous Artists”. Both the author and Yang Shu case both understand the context and leadership of her colleagues and colleagues, there are like Zhang Xin, Su Tong, a better understanding of her famous writer. One of my articles, but also for readers to know Chi Li a clue. I do not know whether readers can read from these articles Chi Li? Since the new era, women writers come out, the literary world quite yin-yang decline, from this issue, this column to be launched on the column of female writers, hope Readers pay attention.