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创刊于上海“孤岛”最后一年的《奔流文艺丛刊》,是当时直接受中共地下党领导的唯一文学刊物,虽然在目前的研究中有被提及,但却很少作为直接的研究对象。本文将从其继承鲁迅《奔流》月刊中的革命文学视角出发,来探讨《奔流文艺丛刊》对革命文学的继承和发展,以及“为人生”的文艺创作观和对中国知识分子历来的独立批判之精神的继承,揭示在当时内忧外患的艰苦环境中,《奔流文艺丛刊》给中国的文艺建设带来了曙光的历史作用和地位。
Founded in Shanghai in the last year of “Isolated Island”, the “Running Literature Series” was the only literary publication directly under the CPC’s underground party at that time. Although it has been mentioned in the current study, it is seldom used as a direct study Object This article will proceed from the perspective of revolutionary literature in Lu Xun’s “Running Journal” to explore the succession and development of “Running Literature Series” to revolutionary literature and the literary and artistic creation concept of “Life for Mankind” The succession of the spirit of independent criticism reveals that in the difficult environment of internal and external crisis at that time, “Running Literature and Literary Series” brought the historical role and status of the dawn to China’s literary and art construction.