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京剧琴师是京剧艺术中的重要组成人员,在整个京剧艺术中占有重要地位,起着重要作用。同任何艺术创造一样,京剧琴师的艺术创造也需要才气和灵感,这是勿庸置疑的。但是,才气来源于艺术实践,灵感来源于长期积累。周恩来总理说过:“作品的产生,可以是偶然得之,但是这种偶然得之是建筑在长期的生活和修养基础上的,这也是偶然性与必然性的辩证统一。”(《周恩来论文艺》,人民文学出版社1979年版第70页)高尔基也说过:“才能是从对于工作的热情中成长起来的。极端地说来,甚至可以说:所
Peking Opera teacher is an important member of Beijing opera art, occupies an important position in the art of Peking Opera, plays an important role. As with any art creation, it is undoubted that the artistic creation of Peking Opera masters also requires talent and inspiration. However, talent comes from artistic practice, inspired by long-term accumulation. Premier Zhou Enlai said: “The production of a work can be made by chance, but this accidental construction is based on long-term life and accomplishment. This is also the dialectical unity of chance and necessity.” (“Zhou Enlai on Literature and Art” , People’s Literature Publishing House, 1979, p. 70) Gorki also said: "Talent grows from the passion for work, and, to be more extreme, it can be said