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汤沐海,1949年生于上海,先在上海音乐学院学习作曲和指挥,后进入德国慕尼黑高等音乐学院学习,师从米歇尔·赫尔曼教授,并跟随指挥大师赫伯特·冯·卡拉扬在柏林学习两年。获得德国拜罗伊特音乐节瓦格纳协会奖学金。他在赴德留学期间,曾随卡拉扬、伯恩斯坦等指挥大师学习和工作,20世纪80年代起先后担任国内外交响乐团、歌剧院的常任指挥和音乐总监,是一位在国际乐坛具有影响力的华人指挥家。指挥台上的汤沐海已经完全不是常态中的他,丰富、优美、和谐、生动而又激情的肢体语言,魅力四射,极富感染力和震撼力,不仅打动了听众,也感动着他的乐队。他是那么如痴如醉地全身心投入于音乐,仿佛整个人都变成了跳动着的音符,他的指挥棒如舞动着旋律的魔棒。若不是灵魂和音乐完全对接,若不是血肉和音符彻底融合,汤沐海怎么可能对音乐驾驭得如此自如、诠释得如此准确?他的这份音乐才能都和他从小成长的家庭密不可分。
Tang Muhai, born in Shanghai in 1949, first studied composition and command at the Shanghai Conservatory of Music and later studied at the Higher Institute of Music in Munich, Germany, where he studied under Professor Michelle Herman and followed the command master Herbert von Karajan Two years in Berlin. Wawner Association Scholarship for the German Bayreuth Festival. During his studies in Germany, he studied and worked with master masters such as Karajan and Bernstein. From the 1980s onwards, he served successively as domestic and foreign symphony orchestra, permanent conductor and music director of the opera house, Influential Chinese conductor. Tang Muhai on the podium is totally different from the normal, rich, beautiful, harmonious, vivid and passionate body language, charming, contagious and shocking, not only impressing listeners, but also touching his band . He was so mesmerized to devote himself to music, as if the whole person had become a beating note, his baton as a magic wand dancing the melody. If not the soul and music completely docking, if not the flesh and blood and musical instruments completely fused, Tang Muhai how music can be so easily controlled, interpreted so accurately? His music talent and his childhood growth are inseparable from the family.