论文部分内容阅读
苦练功力继《红色娘子军》之后,祝希娟又先后参加了影片《燎原》、《青山恋》的拍摄,分别扮演秋英和山雀这两个角色。秋英是矿工猛子的未婚妻,她善良、温顺,在性格上比较柔弱,缺乏刚毅色彩,和祝希娟的外形与素质条件相去甚远,因此她演得较一般化。而对山雀这个林区野姑娘,各方面条件比较接近,演起来就得心应手,所以观众,尤其是青年观众都很喜欢山雀。通过这两个形象的塑造,祝希娟领悟到了自己的局限性——只有当角色的外形和素质与自己相近时才有成功的可能,而电影又要求演员非常自然、流畅、象在生活中一样逼真地再现人物。在这一点上,电影没有舞台的可塑性大。为了使自己能适应各种类
After practicing “Red Detachment of Women”, Zhu Xijuan participated in the filming of “Prairie fire” and “Aoyama Love” successively, playing the roles of Qiuying and Tits respectively. Qiuying is a fiancée fiancée, her good, gentle, relatively weak character, lack of fortitude, and Zhu Xijuan’s shape and quality conditions are far apart, so she played more general. And to the tits, the wild girl in the forest, all conditions are relatively close, playing up handy, so the audience, especially young audiences like tits. Through the shaping of these two images, Zhu Xijuan realized his own limitations - the success is possible only when the character’s appearance and quality are similar to himself, and the movie requires the actor to be very natural, fluid and lifelike To reproduce the characters. At this point, the film has no plasticity in the stage. In order to be able to adapt to all kinds