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我是一个京剧爱好者。我在仔细阅读了近几年出版的一些京剧专著后,发现了几个疑问,尽管这仅是些简单的问题,我想还是有必要提出来和大家交换意见,目的是为了对京剧艺术负责,对广大读者负责,以达到实事求是,缜密、准确的要求。《中国京剧史》(上卷)第十二章第六节有专文介绍清末民初著名的南派京剧旦角演员。在谈到毛韵珂时,说:“子毛剑秋(或说燕秋,即毛顺新),初习武生,拜韩长宝为师,后改旦角,三十年代以后也享名上海等地”。据我所知,毛剑秋是毛韵珂的女儿,三
I am a Beijing opera lover. After reading some of the Beijing Opera monographs published in recent years, I found a few questions. Although this is only a simple question, I think it is necessary to exchange opinions with you for the purpose of being responsible for the art of Peking Opera. Responsible for the majority of readers, in order to achieve truth-seeking, meticulous and accurate requirements. “Chinese Peking Opera History” (the volume) Chapter XII of the sixth section has a special introduction to the famous Southern Peking Opera Dancing Actor at the end of the Republic of China. When talking about Mao Yunke, he said: “Sub-Mao Jianqiu (or Yan Qiu, Mao Shun-hsin), first taught Takefu, thanks to Han Chang-bao as a teacher, and later changed his role as head of the rank of Shanghai and other places after the thirties.” As far as I know, Mao Jianqiu is Mao Yunke’s daughter, three