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爱因斯坦代表的现代多维空间的科学观念与康德代表的古典牛顿物理学空间观念,是在科学与哲学问题上古典与现代的分水岭。自19世纪末以来,以物理学革命为先锋的自然科学—哲学—艺术的巨大变化的根本原因,在于非欧几何的诞生,它同时也影响了以毕加索的立体派现代绘画为代表的现代艺术。现代艺术对古典艺术的颠覆,有着深刻的自然科学与哲学根源,即四维和多维空间的发现。这样的发现不仅改变着自然科学的面貌,也改变着哲学与艺术的面貌。在这样的意义上,现代艺术是一种具有强烈哲学内涵的观念艺术。这些现象启示我们,自然科学、哲学、文学艺术研究之间有着本质上的相通关系,只有打破这些学科之间的界限,才能更好地促进这些学科自身的发展。
The scientific concept represented by Einstein in the modern multidimensional space and the classical Newtonian physics concept represented by Kant are the watershed between the classical and the modern on the issues of science and philosophy. Since the late 19th century, the fundamental reason for the great change in the science of nature - philosophy - art with the revolution in physics has been the birth of non-Euclidean geometry. It has also affected the modern art represented by Picasso’s Cubist modern paintings. The subversion of classical art by modern art has profound roots in natural science and philosophy, that is, the discovery of four-dimensional and multi-dimensional space. Such discoveries not only change the face of natural science, but also change the face of philosophy and art. In this sense, modern art is a concept art with a strong philosophical connotation. These phenomena have shown us that there is a fundamental interrelationship between the studies of natural science, philosophy and literature and art. Only breaking the boundaries between these disciplines can we better promote the development of these disciplines.