“二人转”音乐中的主调曲牌分析

• 作 者: 翟继峰 刘清明 姜宇丹
• 出 处: 戏剧文学
• 发表日期: 2007年09期
• 关键词: 曲牌 传统艺术形式 喇叭牌子 胡胡 地域色彩 二人转音乐 抱板 雌雌 起唱 赵本山

近年来,随着赵本山表演的小品与电视剧在全国电视媒体的播出,二人转艺术也随着红遍了全国,成为家喻户晓的传统艺术形式。作为东北地方特色的二人转艺术之所以能够得到全国乃至全世界人民的瞩目,其丰富多彩的舞台表现、贴近生活的演唱内容、音乐风格的地域色彩与曲牌的灵活多变及兼容并蓄等因素都是使其能够存活、生生不息的动力源泉之所在。

In recent years, with the performances of Zhao Benshan sketches and television dramas in the national television media, the art of two-person turn has become a well-known traditional art form with the popularity throughout the country. The reason why the two-turn art as a local feature of the Northeast can get the attention of the people in the whole country and even the world is that the colorful stage performance, singing content close to life, the regional color of music style, the flexible and eclectic tunes, It can survive, the source of endless power.