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顾名思义,民工影视剧是以进城务工农民的生存现状为表现题材的一系列影片的统称。电影中画面、镜头、声音等艺术语言的共同运用交织出农民工喜怒哀乐、酸甜苦辣的生活图景,揭示了现代文明挤压下他们无所依归的命运悲剧。对民工影视剧的美学思想进行探究不仅有利于深入挖掘这一现象产生的时代背景、社会成因,而且有利于唤醒公众对民工这一特殊群体的关注。
As its name implies, migrant workers’ TV dramas are collectively referred to as a series of videos featuring the living conditions of migrant workers in cities. The common application of artistic language such as the picture, the lens and the sound in the movie intertwines the life scenes of migrant workers with their emotions and emotions, revealing the tragedies of destiny they are under the squeeze of modern civilization. To explore the aesthetics of migrant workers’ films and TV plays is not only conducive to digging deeply into the background and social causes of this phenomenon, but also arousing the public’s attention to this special group of migrant workers.