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在世纪末的几年间,我写作各种各样关于现代都市生活的电影剧本,历尽波折终于拍摄完成的只有两部,一个是金琛导演的《网络时代的爱情》,一个是王小帅导演的《梦幻田园》。在写《网络》的时候,我遭遇到了“NETWORK BEING”这个词,即网络化生存。编剧之时伴随而来的问题是,以生活化的方式生存,还是以网络化的方式生存在电影中模模糊糊的答案过去以后,接着我就写了《梦幻田园》,《梦幻田园》是关于人与房子,关于现实生存空间的故事。写《梦幻田园》所遭遇的问题是,在我们日益丰裕
In the late years of the 20th century, I wrote a variety of screenplays about modern urban life. After the twists and turns, I finished filming only two films. One was Director Kim Sum’s Love in the Internet Age, the other was Dream by Wang Xiaoshuai rural“. At the time of writing ”Network,“ I came across the term ”NETWORK BEING,“ a web-based survival. The question that comes with the screenwriter is whether living in a living way, or in a networked way, after the vague answers in the movies, and then I wrote ”Dreamland,“ ”Dreamland" About people and house, the story of the real living space. The problem with writing Dreamland is that we are getting better off