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鲁迅先生曾以“意美以感心、音美以感耳、形美以感目”总结汉字的“三美”。书法艺术是纸卷上的线条之舞,其“形”、其“意”与中国古典舞在外部特征和审美属性上有着异曲同工之妙,即“线”之特征于“形”的体现及“虚实相生”于“意”的含蕴。本文以此为出发点,阐述书法艺术与中国古典舞相通的“线”性之特征及相同的“虚实相生”之审美,意在探寻中国传统文化于中国古典舞风格构建和审美流变中的影响与显现。■形——线性之特征李泽厚先生在《美的历程》专著中,把书法称作“线的艺术”。书法不仅是语言符号象征,更通过“线”的特性成为表达民族审美情感的艺术形式;同样,舞蹈作为身体线条的艺术呈现,其魅力也在于此。泰戈尔曾说:“世界上还有什么事情比中国文化的美丽精神
Mr. Lu Xun used ”Italy and the United States to feel the heart, the sound and the United States to the ear, the United States with a sense of the United States “ summed up the Chinese characters ”three beauties “. Calligraphy is the dance of lines on paper rolls, and its ”shape “, ”meaning “ and the Chinese classical dance in the external characteristics and aesthetic properties have similarities and differences, namely ”line “ features The Embodiment of ”Shape“ and the Implication of ”Realistic and Realistic Creation “ in ”Meaning “. This article uses this as a starting point to expound the characteristics of the ”line“ nature of calligraphy and the Chinese classical dance and the aesthetic of the same ”real and imaginary life“, in order to probe into the Chinese traditional culture’s construction and aesthetic flow in Chinese classical dance Change in the impact and appearance. ■ Form-Linear Features Mr. Li Zehou calls the calligraphy ”the art of lines“ in the book ”A History of the United States.“ Calligraphy is not only a symbol of linguistic signs, but also an artistic form of expressing national aesthetic feelings through the characteristics of ”lines “. Similarly, the artistic appeal of dance as a body line is also based on this. Tagore once said: ”There is nothing more in the world than the beautiful spirit of Chinese culture