论文部分内容阅读
潘玉良是中国第一代西画女画家,她的绘画是中西绘画碰撞并有机结合的代表,特别是她二度赴法以后的绘画作品,在风格上发生了很大的转变,把中国情结和中国元素与她学习多年的西洋绘画有机结合起来并充分体现出来,不仅创造性地发展了中国油画,还创立了具有个人特点的中国绘画新风格——新白描体,对中国近代绘画的发展做出了杰出贡献。本文将从四个方面探讨潘玉良绘画作品中的中国情结,以期为大众更深入全面地了解其绘画风格提供一些帮助。
Pan Yuliang is the first generation of Chinese painting female painter in China. Her paintings represent the collision and combination of Chinese and Western paintings. Especially after her second visit to France, her paintings have undergone great changes in style. The Chinese complex and China Elements and her Western learning for many years organic combination of painting and fully reflected, not only creatively developed the Chinese oil painting, also created a new style of Chinese painting with personal characteristics - a new white-painted body, made to the development of modern Chinese painting made Outstanding contribution. This article will explore the Chinese complex in Pan Yuliang’s paintings from four aspects in order to provide some help to the public in understanding their painting style in a more comprehensive and comprehensive way.