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六年前,中国青年艺术剧院《伽里略传》的演出,以人物形象的深刻性和剧作巨大的辩证力量深深吸引了观众:遗憾的是,布莱希特戏剧表演的特点,即在演员和角色之间保持一定的距离,造成“间离效果”,未能在演出中得以展现。今天,青艺的艺术家们再次将布莱希特的作品搬上舞台,《高加索灰阑记》的演出使人们在我国话剧舞台上看到了一种既有布莱希特演剧体系特色,又有中国传统戏剧因素的、新的、自成一格的表演。
Six years ago, the performance of “Galileo Biography” of the China Youth Art Theater attracted the audience with the profound character of characters and the huge dialectical force of drama. Regrettably, Brecht’s dramatic performance features In the actor and role to maintain a certain distance between, resulting in “separation effect”, failed to show in the show. Today, young artists again put Brecht’s work onto the stage. The performance of “Caucasus” makes people see a unique feature of Brecht’s drama system in our drama stage. A new, self-contained show with traditional Chinese theatrical elements.