洛阳唐三彩器皿抽象装饰纹样研究

• 作 者: 袁夏华
• 机 构: 中原工学院,
• 出 处: 明日风尚
• 发表日期: 2016年15期
• 关键词: 装饰纹样 抽象纹样 装饰手法 釉彩 结构分析 造型规律 装饰特点 图形的 蜡液 色相对比

本文重点研究洛阳唐三彩器皿的抽象装饰纹样。唐三彩是低温铅釉彩陶,其富有特色的施釉技法导致了它独特的具有几何特性以及流动性的装饰纹样。笔者在调查中收集了具有代表性的几何排列以及釉料流动性融合作为装饰表现手法的器皿,绘制出它们装饰图形的基本排列方式与形态,并对其展开造型、色彩、结构分析。掌握抽象图形的装饰手法有助于传承者和设计者在遵循传统图案造型规律的基础上,设计新的图案品种,进而推动洛阳唐三彩传统图案和现代图案在现代社会的发展。

This article focuses on the abstract decorative patterns of the Tang three-color ware in Luoyang. Tang Sancai is a low-temperature lead-glazed pottery, and its unique glazing technique has led to its unique decorative pattern with geometric characteristics and fluidity. In the survey, the author collected the representative geometric arrangement and the fusion of glaze fluidity as decorative ware, draws the basic arrangement and shape of their decorative figures, and analyzes their shape, color and structure. Grasping the abstract graphic decoration techniques helps the heir to the designers and designers to design new patterns and varieties based on the traditional patterns and shapes and to promote the development of Luoyang Tang Sancai traditional patterns and modern patterns in modern society.