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诗书画印四位一体是中国画创作的精髓。浅论诗书画印结合的审美意义潘天寿先生说:“中国画创作不易做到诗书画印四精,但要做到四全。”这一画论无论从形式还是内涵上都对中国画作了最好的诠释。同时,这一理论影响和造就了一批著名画家。然而随着“西风东渐”的盛行,这一理论似乎正为国人所淡忘。环顾中国水墨画坛,画家兼诗人且诗画俱佳者屈指可
Poetry, calligraphy and painting is one of the essence of Chinese painting creation. On the aesthetic significance of the combination of poetry, calligraphy and painting Pan Tianshou said: “Chinese painting is not easy to do poetry, calligraphies and fine arts, but to be able to achieve Siquan.” This painting has its own style and meaning both in Chinese painting The best interpretation. At the same time, this theory influenced and created a group of famous painters. However, with the prevalence of “westerly eastward”, this theory seems to be forgotten by the people. Looking around the Chinese ink painting, painter and poet and poetry and art are good and bad