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蒋维国在《戏剧艺术》1987年第一期发表的《多元戏剧中表演的多元性》一文中说,一部分人认为戏剧观的差异,主要在于剧作和导演的整体把握,至于表演,实质还是和以前常见的相同。其实,戏剧观念的变化,必然牵动表演的观念。自有戏剧以来,表演的观念从来不是凝固的,而且历来是多元的。多元之所以多,来自创造者对观众需要的不同认识:一、供观众观赏。二、使观众共鸣。三、引观众思考。目前我国戏剧发展的一个突出标志是导演的作用空前提高
Jiang Weiguo said in his article “Drama Pluralism in Pluralism,” published in the first issue of Drama Arts in 1987, that some people think that the differences between the dramas and the dramas are mainly due to the overall mastery of the dramas and the directors. As for the performances and the essence, Commonly used before the same. In fact, changes in the concept of drama will inevitably affect the concept of performance. The concept of performance has never been frozen since its own play, and has always been pluralistic. Multiple reasons for the diversity, from the different needs of the audience to create awareness: First, for the audience to watch. Second, to resonate the audience. Third, lead the public thinking. At present, one of the prominent signs of the development of Chinese drama is that the director’s role is unprecedentedly enhanced