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诺特·维塔尔称自己是以世界为工作室的艺术家,确如他所言,他在世界许多地方均建有样式奇异却又集实用性和艺术性于一体的房子。尼日尔建筑从2000年一直持续到2007年,使用了被当地人视为废料的牛角等进行建造。这是一个复杂的建筑群,每幢建筑既具现代感又未彻底脱离当地的文化传统,同时又都有自己的主题。该建筑群成功地把当代与传统、艺术与功用、全球性与地域性等融合在一起,为当代公共艺术实践提供了典范。
Knott Vital claims that he is a world-based artist, and as he has said, he has built in many parts of the world both exotic and practical houses, both artistic and artistic. Construction in Niger continued from 2000 until 2007, using crooks considered by the locals as waste. It is a complex complex of buildings, each building not only modern but not completely separated from the local cultural traditions, but also has its own theme. The complex successfully merges contemporary with tradition, art and function, globality and regionality, and provides a model for contemporary public art practice.