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生于1962年的法国油画家马克·帝格朗尚的绘画的确会令人想起许多西方艺术史上的关键节点:马奈、塞尚、德加甚至是古希腊的雕塑或建筑。之前的绘画大师及各种的艺术风格,都以视觉元素或意境的方式出现在他的作品中,同时又具有某种当下性的特征。帝格朗尚敏感于时间的流逝,及其和空间的相对关系,虽然这类的思考从文艺复兴时期就已存在,但他并非实证性的处理,而是用一种非逻辑和碎片似的方式加以呈现。帝格朗尚作品中的元素和色彩都非常简单,马、着装或裸身,局部或整体的人的躯体;大面积的蓝、绿、灰、暗红、土黄色块。但他并未放弃形象,你依然可辨析作品中的物与人的样态,只是这些物与人已经
Born in 1962, the French painter, Marc Dgrang, is indeed reminiscent of many of the key nodes in Western art history: the Manet, Cezanne, Degas and even ancient Greek sculptures or buildings. The former masters of painting and various artistic styles appear in his works in the form of visual elements or artistic conceptions, and at the same time, they have some characteristics of the present nature. Dgrang was sensitive to the passage of time and its relative relation to space. Although such thinking existed from the Renaissance, he did not deal with empiricism but in a non-logical and fragmented manner Way to be presented. Elements and colors in the works of Emperor Gladys are very simple, horse, dress or naked, partial or whole human body; large areas of blue, green, gray, dark red, khaki blocks. But he did not give up the image, you can still identify the style of things and people in the works, but these things and people have