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本期理论前沿板块共编发3篇文章。关于动态艺术的两篇文章来自粟多壮先生和本刊对中国科学院院士郭慕孙先生的访谈。郭慕孙先生的《几何动艺》是在精确计算的基础上创作的一种空间艺术。他运用严谨的科学方法,建立艺术作品的数学模型,成功地把时间和运动的维度引进雕塑的三维空间,在国内处于领先的地位。粟多壮先生的文章则以国际观察的视点对动态艺术的整体状态进行了清晰的梳理。中国美术学院郑靖先生的文章,对数字时代非固体媒介在艺术中的运用进行了颇为有趣的探讨。这三篇文章分别从科学家和艺术家的不同立场共同切入了科学与艺术的结合领域,对当代雕塑的开拓是具有启示性意义的。
The current theoretical frontier plate compiled a total of 3 articles. Two articles on dynamic art come from Mr. Su Duzhuo and our magazine’s interviews with Mr. Guo Mu-Son, an academician of the Chinese Academy of Sciences. Mr. Guo Mu-sun’s “geometric art” is a kind of space art based on accurate calculation. Using rigorous scientific methods, he established mathematical models of works of art, succeeded in introducing the dimensions of time and movement into the three-dimensional space of sculpture, and took the lead in the country. Mr. Su Duozhu’s article clearly clarifies the overall state of dynamic art from the perspective of international observation. The article by Mr. Zheng Jing from China Academy of Art explored quite interestingly the use of non-solid media in art in the digital age. These three articles respectively cut into the field of combination of science and art from the different stances of scientists and artists and are of enlightening significance to the development of contemporary sculptures.