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1996年,旅日艺术家唐承华在中国美术馆举办了他个人版画展。在那次展览中,他的作品以抽象的形态和大幅面版画的印制技术给人留下深刻的印象。时隔七年,他的作品再度回国在中央美术学院美术馆展出,他本人也在中央美术学院版画系进行教学交流,这使我们有机会看到他的新作和了解他在版画艺术上的不懈探索。 在我看来,唐承华版画的基本主题和作品的主要内涵是他的“文化经历”。他从国内到国外,从日本到美国,经历了长时间的“跨文化”体验。这种体验既有现实的、生活
In 1996, Tang Chenghua, a Japanese artist, held his own printmaking exhibition at the China Art Museum. During that exhibition, his work impressed with abstract forms and large format printing techniques. After a lapse of seven years, his work once again returned to China to display at the Central Academy of Fine Arts Museum of Art, and he also taught in the Central Academy of Fine Arts Department of Printmaking, which gives us the opportunity to see his new work and understand his art in print Relentless exploration. In my opinion, the main theme of Tang Chenghua’s printmaking and his works are his “cultural experiences.” From domestic to foreign countries, from Japan to the United States, he experienced a long “cross-cultural” experience. This experience is both realistic and life