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一九二四年,叶赛宁在高加索创作了他最著名的《波斯组曲》,接着,在一九二四年末到一九二五年初,他又创作了抒情叙事史诗《安娜·斯涅金娜》。这是叶赛宁诗歌宝库中的一对明珠,而相比之下,后者更胜于前者。当时叶赛宁就曾在给《巴库工人报》的编辑恰金的信中写道:“我觉得,它(《安娜·斯涅金娜》)比我所写的一切诗都好”(1924年12月24日)。在一九二四年到一九二五年间,叶赛宁写了一百首诗,包括一些长诗,单从数量而言,就是他在一九一九年到一九二三年间发表的诗的一倍以上,而《安娜·斯涅金娜》则是最后的一部长诗。它象一个焦点般集中了诗人这两年间创作
In 1924, Yesenin created his most famous “Persian Suite” in the Caucasus. Then in the late 1924 to early 1925, he created the lyrical epic “Anna Snijkina” . This is a pearl in the poetry of Yesenin, by contrast, the latter is better than the former. At the time, Yesening wrote in a letter to Ch’aqin, editor of the Baku Workers’ Daily: “I think it (” Anna Snijkina “) is better than all the poems I write” (1924 December 24). Between 1924 and 1925, Yesenin wrote 100 poems, including some long poems, which, by their quantity, were the poems that he published between 1919 and 1923 More than doubled, while “Anna Snijkina” is the last of a minister’s poem. It focused on the creation of poets in two years as a focus