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从纽约到香港,近期中国艺术品在海外可谓是风头强劲。一个个崭新的纪录相继产生:常玉的《花中君子》以2812万港元,创下中国油画拍卖的世界纪录;清乾隆御制金桃皮销“天字十七号”“宝腾”腰刀以4604万港元,创造中国御制工艺品的拍卖纪录;清乾隆御制镶珠黄缎十二章纹龙袍以1468万港元成交,打破清织绣世界拍卖纪录。但与这些纪录相比,要洞察艺术品市场的投资动向,关注买家的分布比这些纪录更加重要。内地买家无疑是此次中国艺术品拍卖中最为耀眼的群体,除了前面提到的乾隆腰刀之外,在此次香港苏富
From New York to Hong Kong, Chinese art can be described as strong overseas recently. One after another new records have been generated: Sanyu’s “gentleman in the flower” to 28.12 million Hong Kong dollars, setting a world record of Chinese oil painting auction; Qing Emperor Qianlong Royal system peach skin “day word on the 17th” “Po Teng” waist knife 46.04 million Hong Kong dollars to create the auction records of Chinese imperial handicrafts; Qing Emperor Qianlong made beaded yellow satin twelve dragon robe to 14.68 million Hong Kong dollar transactions, breaking the Qing embroidery embroidery world auction record. However, compared with these records, to pay attention to the investment trends of the art market, it is more important to pay attention to the distribution of buyers than these records. Mainland buyers is undoubtedly the most prominent Chinese art auction group, in addition to Qianlong waist knife mentioned earlier, the Hong Kong Sotheby