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清代晚期,管理北京梨园界的行会组织——精忠庙根据京城演唱“武戏”出现的问题,奉命公布了一份演戏禁令,要求在京戏班演戏时废止“跳跃之戏”。所谓的“跳跃之戏”就是在戏台“栏杆上下随便攀跳,并有从高处任意纵跳”的表演形式,同时包括了“执使铁器、捎子棍,并一切涉险之事,暨演唱淫艳之戏”。倘若此类表演一经查出,不但戏班掌班耍从严惩办,而且还会连累行会领袖。可以想见,禁令一出,京城各戏班的武戏表演由此得以归于平和雅正,象征化的切末道具和舞蹈化的演做方式逐渐成为中国戏曲武戏表演的主流。事实上,在中国长江流域以南的很
In the late Qing Dynasty, Guoguang Temple, a guild organization that manages the Pear Orchard community in Beijing, was ordered to announce a ban on acting based on the appearance of “Wu Xi” in the capital and requested the abolition of “jumping drama” during the opera in Beijing. The so-called “Jumping Game ” is the stage “railing up and down casually jump, and there is a random height from the vertical jump ” performance form, also includes Dangerous thing, singing Yan Yan play ". If such performances are detected, not only will the troupe in the troupe be severely punished, but also the gang leaders will be involved. It is conceivable that with the ban, the martial arts performances of the various theater classes in the capital can be attributed to the masculinity and elegance. The symbolic celebrity props and dance performances have gradually become the mainstream of Chinese opera and opera performances. In fact, south of the Yangtze River in China is very