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时间对他来说,既没有前进,也没有倒退,而是一个简单循环,出生、成熟、衰老、死亡……老杨说,他出生那年,是1937年的夏天。第二天,卢沟桥事变就爆发了。他说,他耳朵一直不太好,可能是那年枪炮震的。这是老杨的“玩笑”。老杨的确出生在北京,但离卢沟桥还有很远很远的路。老杨的房子建于上世纪六十年代,父母从北方迁徙到南方后,就一直住在这里,是四层砖房,已破败不堪。老杨的屋内,也好不到哪里去,四十多平方的空间,堆满了旧东西,竹篮子、方凳子、旧衣服……水泥地坪也高低不平,漆已掉光的桌子摇摇欲坠,一张破藤椅用红色的塑料带子扎着,也许不能坐人了。老杨的“厨房”更加特别,在一个最多两平方米的空间内,摆满了各种旧器皿,上面无一例外地沾满了厚厚的油污……房门边装着一个门铃,老杨说这是社区里来装的,只要按一下,就会有人上门。老杨自嘲:他们是怕我死在这屋里了。
Time for him, neither forward nor backward, but a simple cycle, birth, maturity, aging, death ... ... Yang said he was born that year, is the summer of 1937. The next day, the Marco Polo Bridge incident broke out. He said his ears had not been very good, probably the gunshots that year. This is Lao Yang’s “joke.” Lao Yang was indeed born in Beijing, but still a long way from the Marco Polo Bridge. Old Yang’s house was built in the sixties of last century, parents migrated from the north to the south, they have been living here, is a four-story brick house, has been dilapidated. Old Yang’s house, not much better than where, more than 40 square feet of space, filled with old things, bamboo baskets, square stools, old clothes ... ... Cement floor is also rugged, paint has been shattered tables crumbling, one Broken wicker chair with red plastic band tie, may not be able to sit down. Lao Yang’s “kitchen” is even more special, in a maximum of two square meters of space, filled with all kinds of old vessels, without exception, covered with thick oil on top ... ... door with a door bell, Yang said this is the community to install, just click, someone will come. Lao Yang self-deprecating: they are afraid I die in this room.