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博物馆起初是一次对文物的机会积累,不过是出于城市自身的缘故……博物馆将自己呈现为一种选择性地保护文化丰碑的手段……那些不能够以物质的形式继续存在的东西,我们可以将其拍摄为静态与动态的图像。刘易斯·芒福德(Lewis Mumford)[1]1937年在宣告纪念碑之死的同时,建筑历史学家刘易斯·芒福德还预言,作为文化结构的档案在其构成方式上将出现重大转变。他认识到,在对物质实体的虚拟
The museum was initially an opportunity for cultural relics to accumulate, but for the sake of the city itself ... the museum presents itself as a means of selectively protecting the cultural monument ... those things that can not continue to exist in material form It can be taken as a still and a dynamic image. Lewis Mumford [1] In 1937, while announcing the monument’s death, the architectural historian Lewis Mumford also predicted that the archives as a cultural structure will undergo a major transformation in their composition. He realized that in the virtual entity